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The Universe ... in a dish

Paul Raccagni

This song was inspired by a visit made with my wife at the Museum of Paola Ceramics in Faenza, where, by chance and unexpectedly, I read the word WU-CHI in a cardboard display a table of one of the rooms and with a series of drawings (which I will learn to call studies) representing the motif of pink (or peony ), perhaps the most loved and appreciated by the public.

Research Master ceramist Enzo Mari for the Faenza Museum from the consideration that this decoration, "in many of his figures are so unusual in shape or correlation to suggest strongly symbolic implications" that go beyond the simple definition of "chinoiserie" . The study of the decoration takes as a reference model of a flat earthenware of 1700 and the Master Mari will now divide the representation into three levels: the center, around the center and outside the center. The central part of the decoration is further divided into other reproductions.

r LAYING The first is the JI WU (WU CHI, the Non-Hum). Shown from Water Primordial representing in many creation myths of the world, the source of all life (amniotic fluid ...), the primitive chaos. The water also represents the totality of possible events, well then binds to the concept of energy (QI) latent and manifest, and not organized in its maximum potential. The decoration takes shape in the water wave, the linking element between WU JI and Peony Yin, the flower related to the spring at birth (or rebirth). "At the same time created the first land Peony" (E. Mari).

The second generation is the fence. The fence is the sacred place, the altar sacrificial, the abode of the Gods. "This element is always united with the peonies. Remember that you are looking at the plate in front of the rite of the covenant, implied in a collective meal, the feast which was used to bloom the virtues." (E. Mari)

The third generation is the peony YIN. Arises from the WU JI, has the same color of the water thus generating the same force. YIN represents the part shade, the female principle, the Earth. "includes two germination: the upper pair cinnabar and blue reminiscent of the complementarity of the combination of Yin-Yang: the lower the sprouting of the Cinnabar Peony Yang indicating the potential for mutation of the peony in the Yin Yang. " (E. Mari)

The fourth play is the peony YANG. Backed by Peony YIN, YANG represents the part of the sun, the male principle, Heaven. The color is reminiscent of cinnabar (mercury red colored crystals), symbolizing immortality. On top of the Peony YANG germination recur blue indicates the continuous relationship of Yin-Yang.

More Stationery the center are the "fill the vacuum", among which we find the bamboo capable of banishing the demons and a symbol of longevity, peace and quiet atmosphere.

around the center. A line of demarcation that separates the center and surrounds the outside as to define "what is beyond and what is on this side of the universe," or separates what it was before, earlier, from what is after , rear. The decoration used is extremely symbolic. You can find ornamental traits that attract the subdivision in paddy soil, therefore, a symbol of abundance and wealth and other traits more similar to the scaly skin of a "dragon" symbol of fertility and spring rains.

Outside the center, a series of fine performances for themselves that "fill the void" as to comfort the "fear of nothing. "

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The TAO of the mouth and teeth

symbolic representation of heaven and earth, the meeting of our two jaw means the state of inner harmony.

Translation of an article published in the journal of Estelle Vareeck Generation Tao n ° 35 - Winter 2004-2005. ( www.generation-tao.com )

mouth materializes the meeting of heaven and earth, and expresses the union of polarity, the 'engagement of the teeth symbolizes the resolution of our duality. The mouth is made in the image of the world around us. In the upper jaw, the roof of the mouth is developing its ogival arch and forms the roof of the inner temple (heaven). The lower jaw to the lower wall of the buccal space is closed by an interlacing of muscles called the "floor of the mouth" (earth). So the mouth produces in us a space built in the sky-earth vertical axis. Within this intimate space, a temple interior, the living language (the enactment of the heart by the Chinese).

mouth, between Heaven and Earth
The upper jaw symbolizes the sky, that is not obvious, the impalpable, the subtle, abstract, infinite, time. The lower jaw is the earth, that the manifesto, the feel, the tangible, the concrete, the measurable, the finite, the limit related to the matter, space. The upper teeth cover the lower ones like the sky holds the earth. In this system, our teeth function as sensors of energy: light blue for the teeth of the upper jaw where the roots are oriented upward as the antennas: land-based for the teeth of the lower jaw where the roots pointing down as taken of the real earth.

Show me the jaw and tell you who you are
Plan occlusion, or the engagement of the teeth, is the floor where the upper teeth pressing on the bottom. The meeting of the two jaws shows us how the two worlds or polarity (heaven / earth) are organized into us. Occlusive harmony translates as inner harmony, present when the sky rests perfectly on earth: the reason tempers the action without harness: impulsivity and balance each other reciprocally reflection: thought and action complement each other in a fluid motion. The person indicates that she is, his ideas take shape with ease in accordance with the words and actions. Unfortunately, these people are rare. Occlusion is usually disrupted and a resulting imbalance in the interior where heaven and earth are separate. The imbalance may be latent or expressed in a spectacular way through the gnashing of teeth (bruxism): The war at home becomes angry, the fighting instinct and reason, each trying to dominate the personality. The problem of occlusion, impacts dell'rticolazione jaws (in front of the ear), which materializes another junction point between high and low. Joint creaking, painful or crashes resulting lack of fluidity between the head and body, the lack of harmony within the person, uniform or wavering between contradictory desires.

the mirror of our jaw
Nowadays, the problems of articulation and occlusion of the jaws tend to increase. Children are not spared. Mal'occlusione suffer. Beyond the imperfection of the system, there is a problem of jaws that do not meet properly. The phenomenon, known for its breadth, deserves that we ask questions. The mouths of our children shows a profound disharmony (for structural) between heaven and earth. This disharmony is a reflection of our society divided between the spiritual aspirations of evolution and elevation and material desires of unrestrained consumerism. Heaven and earth collide, s'affrontano or search within an unstable equilibrium. The matter is no longer needed the sacred and the spiritual ignores the subject. A clear division of our society and our children's mouth translates this malaise. The division between the head and deep thinking, conceptualizing, reflecting, and the living body, in turn, relegated to the status of the subject. Mal'occlusione The most common is characterized by too much overlap of the upper jaw at the expense of the lower (sopracclusione). Otherwise, the head, the mental intellect is too present in the body, harnessed, controlled excess disappears. The mouths of our children shows that we have developed a company focused exclusively on performances and do not deal with the intellect of the body. We are on the way to become a "mental" without emotions who submits the matter and the world to his whims, sacrifice the earth and the nature of the dictatorship of the productivity and return. The problem of occlusion and mal "occlusion is an appeal to inner harmony and balance with each other. It is urgent to find a middle way, that proposed by Tao for thousands of years.

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Ellas, get up and walk

In today's world, often we tend to defend, even to those close and nail, some fundamental values \u200b\u200bthat now, we consider as indispensable elements of our Western culture. Of our identity. Values \u200b\u200bsuch as individual freedom, religious, political, such as democracy. Often, perhaps to the haste, no pause to look back to see where those securities are based. If we did we could not fail to recognize that the foundations of our culture, our development of our progress, our science, our technique can be found, primarily, permanently, in answers ... Greece. And Greece, from brother to brother, perhaps, throughout the Western world should look, more carefully, lovingly ("It 's my everything I love") to extend a hand, if proof were needed, in times of difficulty. Like the present. And in a deafening silence of the means of mass communication, the Italian and European intellectuals, if not Western, at a time like this, with a warm smile to the face one-time friend Ellen (Socrates, Plato, Aristophanes ,...), mindful of the strength and power of the human intellect, I say, indeed, cry, looking at Delphi, the Rion - Antirion, " ELLAS, rise and walk "with us.